For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”
Writing the Body
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Holden Caulfield Has No Friends
Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters — “I wouldn’t want to be friends with Nora, would you?” — by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of “likeability.” (There’s also this piece by our own Emily St. John Mandel to consider.)
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Édouard Levé’s “Amérique”
Recommended Viewing: Suicide and Autoportrait author Édouard Levé’s photography series, “Amérique.” The series looks at towns in the United States bearing the same names as towns in other countries.
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London Calling
London is the most popular literary city. Graphic designer Edgard Barbosa made an infographic that visualizes the number of English-language books written about 10 international cities from 1800 to 2000. The locales include Rome, New York City, London, Paris, Tokyo, Madrid, Beijing, Chicago, Cairo, and Mumbai.
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Tuesday New Release Day: Proulx; Ausubel; Notaro; de Botton; Cline
Out this week: Barkskins by Annie Proulx; Sons and Daughters of Ease and Plenty by Ramona Ausubel; I’m Just a Person by Tig Notaro; The Course of Love by Alain de Botton; and The Girls by Emma Cline (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.