For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”
Writing the Body
John Cage, Silence
Don't listen to John Cage's 4'33" while you read Marjorie Perloff's article on the 50th anniversary of Silence. It could be a distraction.
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Africa’s 54th State
The Republic of South Sudan has declared independence. Just three years ago, Dave Eggers published Out of Exile: Narratives from the Abducted and Displaced People of Sudan (Voice of Witness). The Guardian has an excerpt. A year later, Jamal Mahjoub foresaw the secessionist fervor south of Darfur.
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Tonight on 4th Avenue
Tonight at the Pacific Standard Fiction Series in Brooklyn, Lev Grossman, author of The Magicians, will be reading with Hannah Tinti, author of The Good Thief. As usual, I'll be hosting; it would be great to see you there. For more information, see Time Out New York.
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A Memory, Deconstructed
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”