“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
Wrecked Modern Romance
Tana French’s Accidental Writing
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
●
●
J.M. Coetzee on Philip Roth
●
●
Just Listen
For this month’s fiction podcast at the New Yorker, Edwidge Danticat reads two Jamaica Kincaid stories, “Girl” and “Wingless,” following the publication of Kincaid’s recent See Now Then.
●
●
Google Enters the eBookstore Ring
Google took the wraps off its long-awaited ebookstore today. Google ebooks can be bought at Google Books and are also available at Powells and indie bookstore portal IndieBound (both of which are missing out on some serious publicity by not having info about this on their front page today). The ebooks are readable on a variety of platforms, but not on the Kindle (at least not without some tweaking).
●
●
Ludmilla Petrushevskaya’s Love Stories
“[Ludmilla] Petrushevskaya doesn’t write about isolated acts of depravity; she writes about universal ones,” says Michael Robbins in his review of There Once Lived a Girl. “What’s scary about her narratives is their implication that only the thinnest film, which might rip at any time, separates us from the chaos and breakdown they describe.” Our own Janet Potter also reviewed Petrushevskaya’s work this week, and she focused on the romantic hopes of its characters. “What’s remarkable,” Potter writes, “is not the love they find, but the fact that they’re looking for it.”
●
●
Surrealist and Sweet
I’ve written before about Haruki Murakami‘s advice column, but at that point it was still a work-in-progress with few details or samples available. A month later, the submission period for questions is over and Murakami’s responses are being published. The Washington Post calls the column “surrealist and sweet,” and NPR has reported on the ongoing Mr.Murakami’s Place project as well, with an emphasis on semi-magical stories involving cats.
The New Yorker Says No to The New Yorker
The greatest trick David Cameron ever pulled was getting The New Yorker to reject itself.
●
●