“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
Wrecked Modern Romance
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Sleeping Like a Genius
Stay up until 4am reading that new release? Dread your early alarm after a night spent with a book? Maybe you’re just on Flaubert‘s schedule. Or, if you find it easy to fall asleep before midnight and enjoy early mornings, perhaps you’re running on Victor Hugo time. New York Magazine has compiled an infographic of the sleeping habits of geniuses, and the good news is that no matter when you fall asleep and wake up, someone brilliant has more or less kept your same schedule. So take heart, late-night readers and early risers. We’re all in good company.
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DFW PSA
PSA: The ebook of Infinite Jest now goes for just $4.99. (Might just be a limited time thing.)
Tuesday New Release Day: Shamsie; Kobek; Bordas; Goldstein; Sexton; Barzini; Yoon
Out this week: Home Fire by Kamila Shamsie; The Future Won’t Be Long by Jarett Kobek; How to Behave in a Crowd by Camille Bordas; The World Broke in Two by Bill Goldstein; A Kind of Freedom by Margaret Wilkerson Sexton; Things That Happened Before the Earthquake by Chiara Barzini; and The Mountain by Paul Yoon. For more on these and other new titles, go read our most recent book preview.
The Bechdel Test Through History
Sometime Millions contributor Frank Kovarik takes a look at Alison Bechdel’s famous test for gender bias in movies and applies it to literary classics going back to Homer.
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Boom Boom Boom
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante’s Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.
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