“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
Wrecked Modern Romance
How Did I Get Here?
It looks like Rowan Ricardo Phillips is the new basketball columnist for The Paris Review. His first piece is a bit of an introduction into his own basketball life. We’ve brought you a couple roundball–related pieces in the past.
Also, Empathy
Recommended Reading: In The Atlantic, Alaa Al Aswany shows how literature can inspire empathy by analyzing one word, “also,” in Dostoyevsky’s The House of the Dead. Al Aswany also has a new book out this week, featured in our latest New Release Day.
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Get out of the restaurant
Though excellent fiction has been staged in restaurants (Richard Russo’s Empire Falls comes to mind, as well as YA novel Hope was Here), I have to admit Rebecca Makkai at Ploughshares has a point that dining-in-public scenes are getting a bit old. “All the unfolding of napkins and poking at the French fries… it’s filler.”
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Wilson!
A rare example of a sporting good/movie memorabilia crossover. I want one (as a friend)
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Forsyth Harmon on Observing and Recording Without Judgement
Forsyth Harmon discusses her new book, Justine, which casts a careful, thoughtful eye on body image and disordered eating and their effects on the book's teenage characters.
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