Recommended Reading: Over at Electric Literature, Lori Huth writes about Jeanette Winterson and contemporary war metaphor: “I wanted to feel powerful emotions commensurate with the horror of the story behind the images. I wanted to feel bewildered, and to lament, but instead I felt numb.”
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
In September of 2013, Paula Meehan was appointed Ireland’s Professor of Poetry, and the transcript from her first lecture is available online [PDF]. You can learn more about Meehan in her interview with the Wake Forest University Press, and you can check out a video of one her readings over here.
The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)