In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone’s recent article on fifty reasons to read Williams.
The novelist Julie Schumacher wrote her latest, Dear Committee Members, entirely in the form of letters of recommendation. The format allowed her to illustrate the travails of a creative writing professor through a medium often ignored in fiction. At The Awl, Jessica Gross and Merve Emre talk about the novel. Pair with: Cathy Day on academia’s novel crisis.
This independent bookstore in Alabama has a novel concept–selling only signed copies of books. Alabama Booksmith is just one of many independent bookstores looking for new ways to survive in the world. This Millions interview with Janet Geddis, the founder of Avid Bookshop in Athens, Ga, is both hopeful and inspiring.
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”
"The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader." Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro's latest novel, The Buried Giant (which we reviewed here), as a case study.