Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
In the nineties, when Jack Livings was teaching English in China, he was gathering material for The Dog, his short story collection that recently won the PEN/Robert W. Bingham prize. In an interview in the WSJ, he talks about his research process, Chinese idioms and Uighur-Han relations. You could also read Casey Walker’s syllabus for modern China. (h/t The Rumpus)
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)
Recommended Reading: Dean Young’s poem “Why I Haven’t ‘Outgrown Surrealism,’ No Matter What That Moron Reviewer Wrote” for Plume.