Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.
At NPR’s blog, Meg Wolitzer chooses five summer books that deserve more attention from readers. If you’re a Millions regular, though, you may find her selections a wee bit familiar, seeing as we reviewed Jessica Soffer’s book, interviewed This Is Running For Your Life author Michelle Orange and published The Unchangeable Spots of Leopards author Kristopher Jansma.
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.