Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
After winning The International Design Association’s 2012 Library Interior Design Competition, MS&R won funding to convert an abandoned Walmart in McAllen, Texas into a sprawling 124,500 square foot library. McAllen now home to the United States’ largest single-story library.
“But the civil rights movement didn’t stop in Selma.” In a follow-up to March, his award-winning graphic novel trilogy, Congressman John Lewis will have a new series published later this year by Abrams ComicArt, according to Time. Run, which will also be a multi-book series, will pick up where March left off. Pair with: The Millions‘s review of March.
Over at Guernica, Liza St. James interviews Adam Z. Levy and Ashley Nelson Levy, the founders of the independent press Transit Books. As they put it, “We were noticing this kind of partition between two types of readerships: those who read domestic literature and those who read translation. […] We were interested in the separation of those literary spheres, and began to wonder how to bridge the gap between them.”
After successfully raising funds through their Kickstarter campaign (which we’ve mentioned previously), Red 14 Films has begun releasing the first of their cinematic book trailers. First up is this video for Jason Ockert’s novel, Neighbors of Nothing. Look out for works for Monica Drake, Matt Bell, and Scott Dominic Carter in the near future as well. In the meantime, you can also check out an earlier video put together for Athena Lark’s Avenue of Palms.
Over at Aeon, Alana Massey writes about memory and how the internet archives personal data. In her own words, “Because the archiving technology captures only snapshots of a site at a given time, results might not be an exact replica of the site as it was. As I learned from the fragments of our site, things such as embedded media might be missing and scripts are unlikely to work. After all, a toy boat is hardly its former self after a lifetime at the bottom of the sea. No matter how intact an archive, it can never fully reconstruct the texture and completeness of the original memory.”