Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.
Sharpen your pencils freelance book reviewers: The Wall Street Journal plans to buck the trend of disappearing book review sections by launching a weekly pull-out. Robert Messenger will edit. The New York Observer takes note of the storylines in play: Rupert Murdoch once again bucking conventional wisdom, The WSJ trying to go head to head with The New York Times in yet another high-profile venue.
“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
The former Mrs. Elizabeth Gilbert–that is, Michael Cooper, the husband Gilbert left at the opening of Eat Pray Love, has apparently written a book about his life after their divorce. Will it ever be published?