In the Atlantic‘s annual fiction supplement, Joyce Carol Oates writes about the loss of her husband of 48 years and the split identity of the well-known writer: “My job at the university is to impersonate ‘Joyce Carol Oates’ […] this quasi-public self […] is scarcely visible to me, as a mirror-reflection, seen up close, is scarcely visible to the viewer.”
Just when you thought I wouldn’t make you sad about Alan Rickman again, here he is starring in a film adaptation of one of Samuel Beckett’s short plays. In case you missed it last time, these recordings of Rickman reading from Shakespeare, Proust, and Thomas Hardy will surely generate some feelings.
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”
Winter’s Bone author Daniel Woodrell has a new book out, and to mark the occasion, he talks with Dwyer Murphy of Guernica about his upcoming book tour, Southern poverty and the rejections Winter’s Bone received. Sample quote: “When my family started doing better and my parents encouraged my brothers and me to succeed beyond them, we started asking why our parents were telling us to strive so hard to live in these neighborhoods full of people they clearly resented—and feared too, I think.”
February 1st is the application deadline for the Cleveland State University Poetry Center Anisfield-Wolf Fellowship in Writing and Publishing. It’s a two year post-graduate fellowship that offers $40,000 per year while you work on completing a second book or starting a first. Apply now!