Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
What is a diverse book?
The Bad Luck Club
By the age of twenty-one, Eugene O’Neill had dropped out of Princeton, fathered a child and caught syphilis on a trip through South America. He was, in his own words, “the Irish luck kid,” blessed in a strange way with misfortune. Yet he went on to win a Pulitzer eleven years later. How did he do it? In the LRB, John Lahr reads a new biography of the playwright.
●
●
Crystal Methods
Curtis Sittenfeld did some interesting research for her latest novel, Sisterland. “I went to this New Age bookstore in a distant suburb of St. Louis. I basically went there and was like, ‘I’m doing research,’ and then I un-ironically bought some crystals,” she told The Rumpus.
●
●
Still I Rise
Maya Angelou reciting “Still I Rise“–in case you’re feeling be-Job-ed today and need of the consolation of literature or if you have doubts about the existence of true poetry in the present age. (Printed text of the poem is here.)
Cartoon Marginalia
Amid further discussion and exploration of marginalia, a discovery of cartoon marginalia in the New Yorker archives.
●
●
Haruki Murakami: Master of Blandness
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”