Our own Lydia Kiesling writes for The New Yorker about workplace fiction by women. As she puts it, “If the author is a woman, workplace fiction is also domestic fiction, easily disguised as ‘chick lit,’ ‘girlfriend literature,’ or even ‘erotica.’ Regardless of the packaging, these books provide mapping, contextualizing, and rich illustration of women’s working lives.” For more of her writing, check out her essay on the San Francisco housing market for The Millions.
Few people have a stranger life story than Jillian Lauren. A former party girl of a royal harem in Brunei, she overcame a heroin addiction to become, among other things, a writer with two memoirs to her name. At The Nervous Breakdown, she talks about her latest book, her religious faith and her adopted Ethiopian son.
Lorrie Moore once said in an interview that what’s good for writing is bad for life. In this vein, we might assume that coffee, which is bad for your health but good for your writing, neatly supports her conjecture. But what if it turns out that coffee is a detriment to creativity? Maria Konnikova investigates research that suggests this might be the case.
Out this week: The Throwback Special by Chris Bachelder; Burning Down the House by Jane Mendelsohn; Stork Mountain by Miroslav Penkov; Shelter by Jung Yun; Margaret the First by Danielle Dutton; and The North Water by Ian McGuire. For more on these and other new titles, go read our Great 2016 Book Preview.
Have you ever wondered how memoirists remember their childhoods so well when we can barely remember what we ate for breakfast this morning? Although losing your earliest memories is a common phenomenon called childhood amnesia, we’re more likely to remember childhood if we fashion it into a story.