“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
The Lines Between Us
Waiting for Lunch Break
“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
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Philip Roth Disses Fiction
Philip Roth, one of America’s most distiguished and prolific novelists, tells the Financial Times that he no longer reads fiction. Why not? “I don’t know,” he says. “I wised up.”
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“A woman’s frantic laughter.”
Recommended Reading: Rion Amilcar Scott’s “Women Who Run With Wolves,” which is a very short but potent piece in the latest issue of Fractured West.
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Not Your Father’s Canon
Electric Literature has launched the “Read More Women” series—a “stripped-down, feminist version” of the New York Times “By the Book” column—which will feature writers recommending books by women and non-binary authors. First up in the series is Maria Dahvana Headley, author of The Mere Wife.