“’I put lipstick on a pig,’ he said. ‘I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is’ … If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, ‘The Sociopath.'” Donald Trump’s ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.
Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
Whatever your thoughts on Will Self’s claim that the novel as we know it is dead, it’s important to keep in mind, as Daniel D’Addario helpfully illustrates, that we’ve heard this claim before. At Salon, he goes all the way back to 1902 to trace the legacy of a long-held fear.
Electric Literature has launched the “Read More Women” series—a “stripped-down, feminist version” of the New York Times “By the Book” column—which will feature writers recommending books by women and non-binary authors. First up in the series is Maria Dahvana Headley, author of The Mere Wife.