“’I put lipstick on a pig,’ he said. ‘I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is’ … If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, ‘The Sociopath.'” Donald Trump’s ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.
The Washington Post discusses the literary pedigree of the town where I was born, went to college, and got married.A good review of Jonathan Lethem's new collection of essays, The Disappointment Artist in the New York Observer.Got a nice note from Ulrich Baer, editor and translator of a new book put out by the Modern Library called The Poet's Guide to Life: The Wisdom of Rilke. Sound interesting. Have a look.Why we blog.
How do readers recover from an abominable weekend but with a reading list, in this case one suggested on Twitter by Jay Varner, a writer and instructor based in Charlottesville. Varner links out to 12 articles about "why so many continue to believe an unequivocally false historical narrative surrounding the Confederacy," including pieces by New Orleans' mayor Mitch Landrieu, Slate's Jamelle Bouie, and Ta-Nehisi Coates, whose Between the World and Me made our roundup from last year of the best political fiction (yes, we do realize it's decidedly not fiction).