“’I put lipstick on a pig,’ he said. ‘I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is’ … If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, ‘The Sociopath.'” Donald Trump’s ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov's Speak, Memory and considers "the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order." Pair with our own Garth Risk Hallberg's piece on reading Ada, or Ardor.
Out this week: The Book of Joan by Lidia Yuknavitch; Imagine Wanting Only This by Kristen Radtke; A Line Made by Walking by Sara Baume; The Woman Who Had Two Navels and Tales of the Tropical Gothic by Nick Joaquin; and My Cat Yugoslavia by Pajtim Statovci. For more on these and other new titles, go read our most recent book preview.
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns's birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore's intriguing essay on Clarice Lispector.
You may have not known there’s a national arm wrestling championship. Joshua Davis found out when he saw an eye-catching flyer. When he found himself drafted onto Team USA, he turned the experience into his first big magazine piece. At The Rumpus, an interview with the author of Spare Parts.
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.