“’I put lipstick on a pig,’ he said. ‘I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is’ … If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, ‘The Sociopath.'” Donald Trump’s ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.
Recommended Reading: Amy Poehler’s New Yorker essay, “Take Your Licks,” on her summer job at an ice cream parlor. “If the style of the restaurant was old-fashioned, the parenting that went on there was distinctly modern. Moms and dads would patiently recite every item on the menu to their squirming five-year-olds, as if the many flavors of ice cream represented all the unique ways they were loved.” If this essay is any indication, her upcoming memoir is going to be great.
Politico reporter Kendra Marr was forced to resign her position this week after New York Times writer Susan Stellin alerted Marr’s editors to similarities between her transportation policy story published Sept. 26 and Marr’s story published Oct. 10. An investigation by Politico into Marr’s work found seven instances of likely plagiarism. Regret the Error points out that Politico should call Marr’s stories what they are: serious plagiarism.
Out this week: Devil on the Cross by Ngũgĩ wa Thiong’o; Void Star by Zachary Mason; Sunshine State by Sarah Gerard; Double Bind, edited by Robin Romm; Often I Am Happy by Jens Christian Grøndahl; and Cave Dwellers by Richard Grant. For more on these and other new titles, go read our most recent book preview.
Over at Bloom check out this 3-part feature—a conversation and excerpts—on fiction writers-cum-memoirists Robin Black (If I Loved You I Would Tell You This, Life Drawing) and Natalie Serber (Shout Her Lovely Name)—former classmates at the Warren Wilson low-res MFA program, both later-life bloomers, and both “writing for their lives” in new memoirs.