The summer issue of Moss is out, featuring the opening chapters of our own Sonya Chung’s forthcoming novel, The Loved Ones. For more more of her writing, check out her Millions essay on breaking up with books.
Yesterday marked eight years since a devastating earthquake struck Haiti and a few days ago Trump put the country back in the news (but not in an reflective or uplifting way). Looking to learn more about Haiti sans racist rhetoric? The New York Times has “three books by Haitian writers that provide insight into the country’s history of struggle and resistance.” Find the list here.
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”