Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
Out this week: Black Glass by Karen Joy Fowler; The Festival of Insignificance by Milan Kundera; The Book of Speculation by Erika Swyler; The Little Paris Bookshop by Nina George; The Truth and Other Lies by Sascha Arango; Tradition by Daniel Khalastchi; and Music for Wartime by Rebecca Makkai. For more on these and other new titles, check out our Great 2015 Book Preview.
“Write a short story from the point-of-view of a babysitter who one summer night witnesses something she never expected to see in her life, and then do a ‘find and replace’ in your Word doc until each instance of ‘babysitter’ becomes ‘Navy SEAL.'” Leigh Stein shares some “Writing Prompts for Girls and Women” with The Rumpus. Pair with our own Emily St. John Mandel‘s review of Leigh Stein’s The Fallback Plan.
At W, a first look at American actress Rooney Mara in character as Lisbeth Salander. The relatively unknown Mara, recently of David Fincher‘s The Social Network, has been cast as Salander to Daniel Craig‘s Mikael Blomkvist in Fincher’s American film version of Stieg Larsson‘s The Girl With The Dragon Tattoo. The obvious question: does Mara have the chops to outshine Noomi Rapace‘s Salander?
“I have often thought that if I were ever a drag queen, and more specifically that if I were ever a drag queen who was a contestant on RuPaul’s Drag Race, I would play Virginia Woolf — or rather, Nicole Kidman as Virginia Woolf — in the Snatch Game episode when the contestants don their very best celebrity impersonation.” Untucking RuPaul’s Drag Race at The Los Angeles Review of Books.