Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
A recent Curiosity noted autistic British artist Stephen Wiltshire drawing the New York City skyline from memory. A new book Drawing Autism will collect the work of other autistic artists. Wiltshire chose not to be in the book because he didn’t want to be seen as “just” an autistic artist. More from the book.
Sometimes, in a narrative, it’s necessary to focus on one scene, in one place, for as long as one possibly can. In his new graphic novel, Here, Richard McGuire takes this to an extreme, setting the entirety of the story in one corner of a character’s living room. In the Times, Dwight Garner reviews the new book.
The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.