Recommended Reading: Over at The Offing, a new story by Joy Williams describes what happens when a sad group of American tourists goes to Cornwall, England.
It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
Recommended recommendations: “Eight Excellent Literary Podcasts for Your Morning Commute.”
It’s another huge week for new releases. Happy Murakami day! Haruki Murakami’s long-awaited 1Q84 is finally here – look for our review tomorrow, as is Walter Isaacson’s headline-making biography of Steve Jobs. Also out is another massive and hotly anticipated work in translation (1152 pages!), Hungarian Peter Nadas’s Parallel Stories. Lydia Millet has a new novel out, Ghost Lights, and Thinking, Fast and Slow is set to arrive from Nobel-winning psychologist Daniel Kahneman.
Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.
After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.