Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
“The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day.” James Baldwin on the artist’s struggle for “integrity.” Here’s a bonus piece from The Millions on Baldwin, race, and fatherhood.
“To be a Patrick Leigh Fermor, a Colin Thubron, a Norman Douglas or Paul Theroux, requires always saying yes. To not-get-raped, according to every lesson I – and so many other women – have been taught, so often requires saying no.” On the paradox of being a women and a travel writer.
At Flavorwire Jonathan Sturgeon considers what we’ve learned from Dubliners in the hundred years since it was first published and argues that “when it comes to realism, Dubliners, more than even Chekhov’s short fiction, is the model we routinely fail to live up to.” Sturgeon’s reflections on Joyce‘s free indirect discourse pair well with Jonathan Russell Clark‘s Millions essay on close writing, and his essay isn’t completely without hope: he concludes with a few books that, “on the surface, look nothing like Dubliners, but, in spirit… show that Joyce’s book still lives 100 years on.”
Yamaguchi-gumi Shinpo, the largest Yakuza faction, has decided to start its own magazine focused on “haiku poetry, articles on the innocent pursuit of angling and entreaties to its readers to perform good works” among other things. Related: recently photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai.