Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
“In Go Home! — a collection that feels particularly timely in the midst of attacks on immigrant families and communities — Asian diasporic writers are both thoughtful and generous in their reflections about who they are, where they have been, and where they belong.” For Shondaland, Nicole Chung interviewed Rowan Hisayo Buchanan, the anthology’s editor, and a few contributors (including Alexander Chee, Karissa Chen, T Kira Madden, and Esmé Weijun Wang) about what home means to them. Pair with: our review of Chee’s The Queen of the Night and Wang’s 2016 Year in Reading entry.
You may have heard that “because” is a preposition now, because Internet. What you may not have heard is that the American Dialect Society named “because” their Word of the Year. Their reasoning? The word’s new meaning allows us to omit full clauses, which makes it useful. (Hilariously, they also named Sharknado the “most unnecessary” new word.)
Jonathan Raban intersperses biographical information about William Gaddis in order to give the correspondence collected in his recently published Letters greater context. There are ample details about the author’s travels in his young adulthood, his artistic frustrations over the publication of The Recognitions, and, of course, many details about the women in Gaddis’s life. “In letters to his mother,” Raban writes, “Gaddis liked to depict himself as someone repeatedly smitten by beautiful women.” (Bonus: “The Letters of William Gaddis contains five letters addressed to me.”