“When she began the cancer memoir, it was the fact of the writing, more than what was to be written, that mattered.” On Jenny Diski’s way of seeing beyond the story.
Looking for someone to whip your writing into shape? Then tweet the new Gordon Lish bot, a Twitter account which offers unvarnished critiques of your tweets and fictional sentences. (Related: Frank Kovarik on the editor’s relationship with Raymond Carver.)
Emily Dickinson didn't get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there's controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
"In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called "sharing economy" tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years. Not that the circumstances are always ideal, as our own Jacob Lambert attests in his "Open Letter to the Person Who Wiped Boogers on My Library Book."
What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.
Science now confirms what’s long been suspected by people related to theater kids: “the quality of a performance does not drive the amount of applause an audience gives.”
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.