There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.
Peek inside a part of the DIY publishing world: zines. “Before the Internet democratized media, self-publishing was one of few ways for ordinary people to record and share with a wider audience. Zines on old taboos like sexual orientation could provide a staticky connection to a community of others with nonstandard identities in an age before chat rooms and message boards and -- perhaps most importantly -- simple ways to anonymize yourself.”
Since we’re deep into the season of “year end” lists, here’s a list of ten great novels written by women that didn’t get a lot of critical attention this year. That isn’t to say that aren’t a ton of other books deserving of this distinction, just that these are some really good ones. Go list-crazy and pair with our own Year in Reading series.
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.