You’ve probably heard the internet adage, “If it exists, there is a porn of it.” Never has that been truer than in the case of the political erotica of 2016. From a particularly colorful Cruz/Rubio series: “’Who is this Hillary you’ve been texting?’ Rubio asks Cruz. ‘Saying things like ‘meet me when Marco’s not home,’ ‘I can hook you up,’ ‘what’s the price’ … don’t act all naïve right now!'”
The Virginia Quarterly Review‘s Fall 2011 issue, “The Soviet Ghost“, is now available online. Not to be missed is Ed Ou’s heartbreaking essay and slideshow on how the Soviet government performed nuclear weapons tests on innocent Kazakh citizens. Dimiter Kenarov’s essay on Belarusian tractors is simultaneously a personal journey, an impressive work of history, and a good ol’ fashioned KGB crime story.
“On the level of narrative possibility, I was really drawn to the sense of aloneness that rose from so many of these images—the terrifying possibility of being the last person left on earth, or even the last person left in a neighborhood, a swamp, a freeway. That stark haunting irony of living in a world of excess that has eventually collapsed on itself, emptied out.” Guernica interviews Leslie Jamison and Ryan Spencer for their new collaboration, Such Mean Estate.
The finalists for the John Leonard Prize — for a first book in any genre — were announced by the National Book Critics Circle. This year’s finalists are Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Julie Buntin‘s Marlena, Zinzi Clemmons’ What We Lose, Layli Long Soldier’s Whereas, Carmen Maria Machado‘s Her Body and Other Parties, and Gabriel Tallent‘s My Absolute Darling. The winner will be announced in January. Pair with: Buntin’s 2017 Year in Reading entry.