You’ve probably heard the internet adage, “If it exists, there is a porn of it.” Never has that been truer than in the case of the political erotica of 2016. From a particularly colorful Cruz/Rubio series: “’Who is this Hillary you’ve been texting?’ Rubio asks Cruz. ‘Saying things like ‘meet me when Marco’s not home,’ ‘I can hook you up,’ ‘what’s the price’ … don’t act all naïve right now!'”
A professor at Clemson University believes he’s identified the fugitive slave who was harbored for one night in the home of Harriet Beecher Stowe. Moreover, the professor believes that the man was “an inspiration for the novel [Uncle Tom’s Cabin]. I think his pain touched [Stowe] and helped her to act.”
“Her exchanges with Americans in small towns and rural communities are inspiring an appreciation of poetry and history – and remind us that poetry has value for all of our lives.” The Library of Congress appointed Tracy K. Smith to a second term as the 22nd Poet Laureate Consultant in Poetry for 2018-2019. For her second term, Smith edited an anthology called American Journal: Fifty Poems for Our Time, which will be published by Graywolf Press in association with the Library of Congress. Pair with: our review of Smith’s memoir, Ordinary Light.
“Our bookstores hold a place in our communities where people go to escape their lives, to talk to a real person and just sit in a comfy chair surrounded by personally curated literature. This is what we do, who we are, so let’s make an extra effort to step away from our desks and computers and provide a safe and compassionate place for people to share their anger and grief today.” In the wake of Monday’s tragedy, Boston’s bookstores figure out how to deal. And at The New Yorker, a poem for Boston.
Vladimir Nabokov spent twenty years translating “the first and fundamental Russian novel,” Aleksandr Pushkin’s Eugene Onegin. His battle with the text sparked an intellectual debate with his former friend, Edmund Wilson. The Paris Review has his notes. Pair with our own Lydia Kiesling’s thoughts on Lolita.
Rosie Schaap espouses the joys of cooking for others “in a powerfully fraught, anxious time” such as ours. “I wanted, at least in this small way,” she writes, “to give comfort—both to myself and to my loved ones.” And as our own Hannah Gersen has noted, if you’re fortunate to have such a good friend for a chef, you can read a cookbook while they work.