“Here’s / the deal: if you die / then I will be able to / drink again & no / one alive will even / blame me.” Year in Reading alumnus Nick Flynn has three new poems over at BuzzFeed READER. Pair with this Millions profile of Flynn.
“After scanning across this listing while doing cursory research for something else, I instantly became obsessed with the idea of the zebra skin in the library. What, exactly, did it look like? How was it stored amongst his papers? Why had he owned it? What was it doing in the special collections of an academic library?” On looking through the archives of William Gaddis.
The Outlaw Sea author William Langewiesche has a new ebook out in the “Single” format, Finding the Devil: Darkness, Light, and the Untold Story of the Chilean Mine Disaster, about the 2010 disaster that left 33 miners trapped for nearly two months.
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”