Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.
“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
Daniel Orozco‘s Orientation collects many of his short stories in one attractive volume. Released last May, the collection features the classic story “Orientation” (Scribd) as well as newer ones such as “Shakers” (Scribd). It garnered enough hype to land him on the long list for this year’s Frank O’Connor Award.
If you’re wondering why you should read this new essay on Jack London, consider this sentence: “Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun.” In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.
This is exciting: Roxane Gay’s debut novel An Untamed State is headed for the screen. Gina Prince-Bythewood will direct and Gugu Mbatha-Raw will star in the film adaptation of Gay’s novel, which tells the story of a Haitian-American woman captured for ransom in front of her husband and child. Check out this Millions review of the book to get a better sense of just how great it is.
“To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.” Oscar-winning Moonlight director Barry Jenkins is adapting James Baldwin‘s 1974 novel If Beale Street Could Talk for the screen, says The Hollywood Reporter. (He’s also bringing Colson Whitehead‘s The Underground Railroad to visual life as well.)
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.