Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.
Overhearing the Wisdom
Rereading
“I’ve come to understand that I’ll rarely experience that first rush of discovery again, and perhaps that’s the problem with re-reading. It reminds us both of where we’ve been and where we can’t go again.” Sarah Seltzer wonders why do we reread books as children but not as adults? Pair with Lisa Levy‘s essay on “The Pleasures and Perils of Rereading.”
The New Gutenberg
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
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Tuesday New Release Day: Volodine; Norwich; Gonzales; Nganang; Brooks; Ulin & Kolsby
Out this week: Bardo or Not Bardo by Antoine Volodine; My Mrs. Brown by William Norwich; The Regional Office Is Under Attack! by Manuel Gonzales; Mount Pleasant by Patrice Nganang; The Houseguest by Kim Brooks; and Ear to the Ground by David L. Ulin and Paul Kolsby. For more on these and other new titles, go read our Great 2016 Book Preview.
Biological Music
“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
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Accepting Rejection
Rejection is a part of growth. Kim Liao argues why writers should aim for one hundred rejections a year. To prepare for your one hundred rejections, let literary magazine editors tell you their thoughts on rejection letters.
Listening for “Some Late-Summer Evening”
Recommended listening: The Southern Review has released a playlist perfect for summer listening, complete with five poems by Charles Simic.
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