On Representation
Cartoon Marginalia
Amid further discussion and exploration of marginalia, a discovery of cartoon marginalia in the New Yorker archives.
“But poetry means making”
“We all use a ‘persona’ or mask, to some degree, all the time,” writes poet Robert Pinsky as he challenges the notion—widely held in English classes throughout the world—that a poem’s “speaker” is necessarily separate from a poem’s author. The latest release from Pinsky, the former Poet Laureate of the United States, is Selected Poems, and you can hear him read some excerpts in this video.
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What We Can Learn from Goodnight Moon
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
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A Voice of Gravitas
Claire Vaye Watkins’s essay on pandering has gotten a lot of responses, including one from Man Booker Prize winner Marlon James. Over at NPR, they discuss the issues of sexism and racism in publishing, cultural ventriloquism, narrative authority, and more.
The Made-up Divide
For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.