“In times of tension it is particularly important to defend what is good, identify what would worsen the status quo, strive for balanced assessments, always hoping for the best, and try to identify and oppose any and all steps toward coercive authoritarianism.” Richard Falk narrates the coup in Turkey at Guernica.
Narrating the Coup
Boy Geniuses
A snarky take on Dave Eggers and Spike Jonze‘s Wild Things and a positively damning view of Wes Anderson‘s behavior during the filming of his forthcoming adaptation of Roald Dahl‘s The Fantastic Mr. Fox, all available at Gawker.
Noted News Items
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. “Auggie Wren’s Christmas Story” was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here’s the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.
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Invisible Translators
“One is less likely to overlook or be unfairly harsh to a translator if one has been a translator, and one is less likely to fault an original writer for weaknesses in translated prose or poetry if one has a sense of the pitfalls into which a translator can stumble—a sense I am still developing after years of translating poetry and prose.” Over at Asymptote Journal, Sue Burke and Maia Evrona look at reviews of books in translation.
Ten-Part Twitter Interviews with Sheila Heti
In a new ten-part Believer series, Sheila Heti is interviewing ten of her “favorite people on Twitter” so they can “talk about what they do on Twitter and why – their Twitter philosophies, their do’s and don’ts, and what they make of the medium in general.” Kicking off the series, we have Heti’s interview with Kimmy Walters, who you may know better as @arealliveghost. (You can bookmark this link if you want to keep track of all of the updates.)
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Sudanese Shorts
Recommended Reading: This month’s installment of Words Without Borders, which features three stories by Sudanese writers Nagi Al-Badawi, Adel Gassas, and Sabah Babiker Ibraheem.
Refusing the Rest
“My father’s life intersected with a century of conflict, horror and invention. He deciphered these histories for me, making me his scribe in a new century. My successes were his successes, and his stories thrum in every word I write. He taught me to see like a writer, to be attentive to the stories that spring up everywhere … It’s an attentiveness to the world, to ordinary suffering, to the love that persists in its midst. My sense of the world, of history and humanity flows from this awareness — and the attendant grim humor — my father used as his guiding lamp in the darkness cast by racism and poverty.” Over at The New York Times, Walter Mosley recalls the lessons taught to him by his father, Leroy.
Appearing Elsewhere
I have a short story in the latest issue of Avery, a young literary magazine I’ve written about before. Avery 4 also includes fiction by Hannah Tinti, Kevin Canty, Rumaan Alam, Samar Fitzgerald, Sophie Rosenblum, Scott Garson, Callie Collins, James Iredell, Jessica Breheny, Sean Walsh, Anna Villegas, and Michael Bourdaghs. It’s wonderful to have found my story such a sleek and beautiful home, filled with so much good company.Here’s the opening of my tale, called “A Love to Calm the Body”: My grandmother fell in love with her doctor. She liked the way he scrubbed his hands. He also washed his forearms, held them wet in front of his body before taking them to the towel. My grandmother had a weekly appointment; she’d been diagnosed with Hysteria – an excess of emotion, a deep feminine sadness. This was in 1899, when my grandmother was twenty-three, two years married. My mother was only an idea then, hovering at the edges. I wasn’t anything at all.Want to read more? You can order the issue online here.
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Sourcing ‘The Hobbit’
In an essay for The Guardian, John Garth identifies an interesting source for parts of Tolkien‘s The Hobbit: Native American lore.