“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
The Lives of Movie Characters
Agreeable Lives
Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
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LOLerature
“Iz in ur Goolag/Havin a sad.” LOLerature is the LOLCats for the literary set. Some of the references are pretty obscure, too. The internet is now complete.
“The conspirators sit smoking thoughtfully”
Recommended Reading: “The Colonel’s Daughter,” new fiction from Noir author Robert Coover.
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It Was A Dark and Stormy Night
What have you found in your grandparents’ attics lately? Bet it wasn’t a signed copy of Frankenstein.
Four Legs Good
This week in book-related infographics: a look at “Memorable Animals from Literature” ranging from Moby Dick to Snowball to Jonathan Livingston Seagull. After all, lest we forget, “four legs good, two legs bad.”
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