“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
The Lives of Movie Characters
Pricey Pads
A real estate blog has calculated the approximate value of Hogwarts, and you might be surprised to learn that it’s worth only a fraction of a real life abode in Mumbai, and only about three times more than one in Orlando.
Breaking the Binary
Rachel Klein writes on raising a genderqueer, non-binary child. “Being a parent means, at some point, being able to look on as your child writes their own story, a story in which you play a role but which is ultimately not about you.”
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Dear Diary
This week in Bookends: in which Thomas Mallon and Pankaj Mishra muse on which writer's journals are really worth reading. Here's a bonus Millions piece on Bookends for all those New York Times devotees.
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Nominating the Wrong Book
Well, this is awkward. When the National Book Foundation announced its nominees last week for the Young People’s Literature category of the National Book Awards, they accidentally picked a book called Shine by Lauren Myracle when they really meant to pick Franny Billingsley’s Chime.