“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
The Lives of Movie Characters
Two Degrees of Fame
The copy of Shakespeare’s works disguised as a Hindu religious text and read by imprisoned Nelson Mandela will go on display for this first time later this summer.
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Second Opinions
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
Kingsolver Wins the Orange
In a reprise of this year’s Rooster final, Barbara Kingsolver’s Lacuna comes out on top this time, besting Hilary Mantel’s Wolf Hall (and four other finalists) for the Orange Prize.
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Anthology of African LGBT Writing
Poet Abayomi Animashaun has issued a call for “poems by gay, lesbian, bisexual, and transgender individuals living in Africa and in the Diaspora.” Submissions “of high merit” will be considered for a forthcoming anthology.
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Salinger’s Ethics
Launch Edan Lepucki
You have until midnight tomorrow to launch The Millions staff writer Edan Lepucki’s novella, If You’re Not Yet Like Me, which Ben Fountain calls “extraordinary.” Don’t miss your chance!
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