“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
In 2006, the National Library of Norway enacted an ambitious plan to digitize every book in its holdings by 2020. The idea is that all of the content (even works under copyright) will be accessible to people logging into the system with a Norwegian IP address.
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
Recommended Reading: This fantastic essay by Lea Page at The Rumpus on memory, family, and a whole lot more than that: “There could be no argument, no defense. It was, in a literal sense, true. I had said that.Sure, she had left out a significant portion of the truth, but in doing so, she had revealed another. That was the one memory my mother cleaved to. That was the song she chose to sing of me. I was still losing at memory.”
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.