“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
After word got out last week that J.K. Rowling regrets bringing Ron and Hermione together, many people responded with interesting takes on the news. The hubbub missed the full context of Rowling’s quotes, however, as they leaked from an interview in Wonderland magazine that hadn’t yet been released. Now the new issue of the the magazine is out, and the context changes things a bit: Rowling actually said the two “will be alright with a bit of counseling.”
Just in time for Mother's Day: whiz-kid chef (and friend of The Millions) Barton Seaver has just published his first book, For Cod and Country: Simple, Delicious, Sustainable Cooking. Bon appetit, Mom!
Know a great title that’s not in our latest Book Preview? Tweet it using the hashtag #otherbooks2015. Coined by Steve Himmer -- who’s written for us -- the hashtag lets readers suggest noteworthy books that didn’t appear on our list. You can find even more additions in this Metafilter thread.
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
British novelist Elizabeth Jane Howard has died at the age of 90. She was famous for The Cazalet Chronicles and her literary love affairs with Kingsley Amis (one of her three husbands), Cecil Day-Lewis, and Arthur Koestler. Despite that her writing career spanned 60 years, she admitted that she found writing frightening in a recent interview. "You’ve got to be pretty nervous about the challenge, the blank page – anything could be on it, it could be crap or it could be wonderful."