Is Karl Ove Kanusgaard’s seven-volume, 3,600-page, vaugely-autobiographical epic possible to pitch over the course of an elevator ride? The good people over at n+1 are willing to give it a shot! Have you ever wondered about the view outside of Knausgaard’s window? I bet you have now.
Just Give Me a Minute
Hollywood and the Brontes
USA Today suggests that Hollywood’s love affair with Jane Austen is ebbing and, with film versions of Jane Eyre and Wuthering Heights on the way, the bigwigs have moved on to the Brontes.
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Scientists on Science Fiction
In New Scientist, several prominent scientists and literary types “nominate their lost sci-fi classics,” from Richard Dawkins on Dark Universe to William Gibson on Random Acts of Senseless Violence.
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A Murky Origin Story
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
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The Gone Girl With The Dragon Tattoo On The Train
Someone’s finally done it, and it’s our own Emily St. John Mandel, to boot: over at FiveThirtyEight, Mandel crunches the numbers on books with the word “girl” in the title, concluding that we may not have reached peak girl yet. (Also 65% of the time, the girl in question is actually a woman.) Nonetheless, if you’re looking to go rogue, check out our guide about how to title every book you ever write.
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The Investigation of Feeling
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
You Already Know This Because You Read
“[L]overs of more experimental books showed the ability to see things from different perspectives but it was comedy fans who scored the highest for relating to others.” A new study suggests that people who read books are nicer, reports The Independent. In our recent interview with author John Vaillant he wholly agreed. “Empathy is what gives you the access,” he told us. “I see the writer (fiction or nonfiction) as a kind of permeable membrane through which the thoughts, feelings, and experiences of others can pass and manifest.”
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Are You Experienced?
Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
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This is the thing that mystifies me about Knausgaard. However good or bad the books are (I’ve only read the first one), how on earth – in this age, in this economy – did he convince a publisher to that a seven-part quasi-autobiographical series was a good idea? How did he pitch it so that a publisher would say “YES LET’S PRINT ALL OF THEM”? Was it really the strength of his previous work? It’s a head-scratcher for anyone who’s ever tried to pitch just one book.