Is Karl Ove Kanusgaard’s seven-volume, 3,600-page, vaugely-autobiographical epic possible to pitch over the course of an elevator ride? The good people over at n+1 are willing to give it a shot! Have you ever wondered about the view outside of Knausgaard’s window? I bet you have now.
Just Give Me a Minute
The Big Sleep
Does getting up early make you a better writer? Not necessarily according to Maria Popova’s infographic of authors’ wake up times paired with their overall productivity (books published and awards won). The findings: Writers who sleep in write more but win fewer awards than early birds. Our conclusion: Just get up whenever you want.
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Curiosities
It’s good to see James Wood covering Richard Price in The New Yorker; and even better to hear Price himself on Fresh Air.And also from The New Yorker, may we recommend Dan Chiasson’s wonderful essay on Frank O’Hara?Luc Sante’s blog pretty much has to be good.Derek, the guy who got both Max and Garth started blogging in the first place, is taking part in a big group blog at the Washington Post covering the Nationals baseball team and its new stadium.With features like this reconsideration of The Gnostic Gospels, the New York Sun is quietly building what may be the country’s best books section.”Growing Up Radical: An Interview with Peter Carey” (via scott)”On Magic Feelism” – n+1 considers Kevin Brockmeier’s The View from the Seventh LayerBoris Kachka profiles Jhumpa Lahiri in New YorkSurreal: “Garfield” minus Garfield. Alternatively, “Garfield” without Garfield’s thought bubbles.Nobody knows if the Kindle is a hit, AP says, but something is happening.A book graveyard in Russia.Languagehat’s specialty: a thoroughly edifying investigation of a phrase pulled out of thin air.American Book Review has developed their own lists of 100 Best Last Lines from Novels (PDF) and 100 Best First Lines from NovelsThe Boston Globe argues that Bringing Down the House, the basis for the new movie 21, is not a work of nonfiction.
This is the thing that mystifies me about Knausgaard. However good or bad the books are (I’ve only read the first one), how on earth – in this age, in this economy – did he convince a publisher to that a seven-part quasi-autobiographical series was a good idea? How did he pitch it so that a publisher would say “YES LET’S PRINT ALL OF THEM”? Was it really the strength of his previous work? It’s a head-scratcher for anyone who’s ever tried to pitch just one book.