Is Karl Ove Kanusgaard’s seven-volume, 3,600-page, vaugely-autobiographical epic possible to pitch over the course of an elevator ride? The good people over at n+1 are willing to give it a shot! Have you ever wondered about the view outside of Knausgaard’s window? I bet you have now.
Just Give Me a Minute
Remembering Nora Ephron
The New York Times looks back on Nora Ephron's career and celebrates her distinct tone. EW has collected some of the best quotes from her books. Ariel Levy recalls her first encounter with Ephron's "funny, frank, self-effacing but never self-pitying, and utterly intimate" voice.
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Famous Yet?
This week in book-related infographics: "Am I A Famous Writer Yet?" Includes the all important sign, "Sobbing uncontrollably in a bathroom."
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Black on all Sides
"The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman)." Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.
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People were not invited–they went there.
The mansion that inspired The Great Gatsby's West Egg has been privately sold, after sitting on the market for two years.
Weekend Links
The Oscar Blog: Ed has recruited Scott, YPTR, Elizabeth Crane, Jeff, Gwenda, Mark and several others to "live blog" the Oscars on Sunday. I'm convinced that no good can come of this... but you can bet I'll be reading along.I'll read what ever Malcolm Gladwell writes, but his 2-part conversation with ESPN.com columnist Bill Simmons on sports (and many other topics) is particularly entertaining.I'm a huge fan of the Comics Curmudgeon blog, which hilariously skewers the newspaper funnies. Now Josh has hit the big time. He'll be skewering political cartoons for Wonkette.The winners of the 2005 Book Critics Cirle Award will be announced tonight. Here are the finalists.Brokeback Mountain (video link) in Bun-O-Vision.
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Mo Yan, Euphemism, and Translated Prose
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better -- h/t Dan Farrely]
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This is the thing that mystifies me about Knausgaard. However good or bad the books are (I’ve only read the first one), how on earth – in this age, in this economy – did he convince a publisher to that a seven-part quasi-autobiographical series was a good idea? How did he pitch it so that a publisher would say “YES LET’S PRINT ALL OF THEM”? Was it really the strength of his previous work? It’s a head-scratcher for anyone who’s ever tried to pitch just one book.