Is Karl Ove Kanusgaard’s seven-volume, 3,600-page, vaugely-autobiographical epic possible to pitch over the course of an elevator ride? The good people over at n+1 are willing to give it a shot! Have you ever wondered about the view outside of Knausgaard’s window? I bet you have now.
Just Give Me a Minute
The Princess and the Pedlar
Recently rediscovered: a comic libretto by Raymond Chandler titled “The Princess and the Pedlar.”
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Edwidge Danticat on Gabriel García Márquez
“I had always felt that [Gabriel] García Márquez’s short stories often took a back seat to his longer works, and that his deadpan dark humor was not discussed often enough,” writes Edwidge Danticat.
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Links for Literary Aspirations
If you have aspirations of the literary sort, I strongly recommend Dan Wickett’s interview with “founders, editors and managing editors of 8 Literary Journals of varying age and size.” And you should also look at the latest posts at Mad Max Perkins’ Book Angst in which hears from editors and publishing industry types about “the true meaning of midlist.”
“The paper’s news judgment is exceedingly bizarre.”
Jonathan Chait takes a look at the (horrible) newspapers in Back to the Future, but he misses the most obvious criticism. That page layout is atrocious!
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Deep, Hungry Gulps
“My idea of the ideal literary dinner party remains locking a book under my left wrist while conveying risotto to my mouth with my right at the kitchen table.” Stacy Schiff talks literary dinner parties and more in this week’s New York Times By the Book column. Schiff’s latest, The Witches: Salem, 1692, is out this week.
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‘I’m going to begin by telling you about Miss Frost.’
Simon & Schuster has posted an excerpt of John Irving’s forthcoming novel In One Person.
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This is the thing that mystifies me about Knausgaard. However good or bad the books are (I’ve only read the first one), how on earth – in this age, in this economy – did he convince a publisher to that a seven-part quasi-autobiographical series was a good idea? How did he pitch it so that a publisher would say “YES LET’S PRINT ALL OF THEM”? Was it really the strength of his previous work? It’s a head-scratcher for anyone who’s ever tried to pitch just one book.