A German airline has teamed up with a local press for a new campaign that allows each passenger to travel with an extra two pounds just for books. Pair with this Millions piece on the weight of moving books.
“During various periods of my life I have succumbed to the siren call of sleeping pills. It is hard to resist their promise: one tablet, and your night will be purged. Your brain may be in overdrive, its receptors working away, hungrily awaiting more images and information, but like a computer it is forced into another mode. Yet the little white disks with a dent down the middle are no panacea; whenever I take one of these thought guillotines I feel trapped in a grey zone, seesawing between mid and shallow slumber, mind and body dulled but not of their own accord.” A lifelong insomniac recounts her long struggle with the illness.
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
Flavorwire has compiled a list of the best literary criticism of the year, ranging from Rebecca Solnit on Lolita to Elena Ferrante on literary publicity. Also check out this year’s most notable Millions pieces, from our star-studded Year in Reading to a literary reader for Lent.
John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
Submissions are open for the Oxford American‘s Jeff Baskin Writers Fellowship, which awards a $10,000 living stipend, housing, and an editorial apprenticeship toward a nine-month residency with the magazine. The goal is to support the writing of a debut work of creative nonfiction, and the application deadline is midnight EST, March 30, 2017.