We get it, you’re into finance — but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: “The act of imagining the future in finance goes by other names—’vision’ and ‘invention’ are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be ‘scientific,’ fantasy and creativity in envisioning the future are often ignored; they don’t fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible.”
Seeing as yesterday was Donald Barthelme’s birthday, it’s as good a time as any to remember the short fiction icon. At Brain Pickings, Maria Popova reads Barthelme’s essay “Not-Knowing,” which you can find in the author’s collection of essays and interviews. Sample quote: “Art is not difficult because it wishes to be difficult, but because it wishes to be art.”
Here’s a book that’s sure to be included in our second-half installment of our Most Anticipated books: Zadie Smith’s NW, which traces the lives of several people who make it out of one of Northwest London’s housing estates. The promotional copy calls it a “delicate, devastating novel of encounters.”
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.