“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.
At Page-Turner, our own Mark O’Connell notes “a thrilling obscenity” in the works of Gonçalo M. Tavares, a Portuguese writer whose recent novel, Jerusalem, depicts a character with schizophrenia. A lesser-known symptom of the illness, apparently, is a tendency to treat inanimate objects like conscious (and social) beings. (We wrote about Tavares back in March.)
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.