“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.
As they begin preparation work on “Vacancies,” a special double-issue of their magazine, the folks at Heavy Feather Review have issued a call for writing that explores “the dimly lit corners of the unoccupied, unassuming, or idle.” For inspiration, look toward Philip Levine’s poem, “An Abandoned Factory, Detroit.”
In 1986, six years before the publication of The Secret History, Donna Tartt was chosen as the student speaker of her graduating class at Bennington College. A typewritten copy of the speech was recently unearthed, in which she looks back upon her education and the college campus that inspired her first novel. Pair with this comprehensive list of the artworks in Tartt’s The Goldfinch.
“It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?” The Atlantic review’s Tor’s anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions’ review of the “ambitious short story collection” from March.