“Why would a poet ever plagiarize? You’re not going to get famous, and you’re really not going to get rich.” Where does inspiration end and plagiarism begin? This piece at Electric Literature examines what happens when a poet steals a line.
Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.
Moby-Dick is a quintessential Great American Novel, perhaps even the greatest, but it might not be pure fiction. That’s what George Dobbs argues in a piece on “The Real Life Inspirations Behind Moby-Dick” for The Airship. Invention or not, at least we can be thankful no cannibalism sneaked its way onto the Pequod…
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.