“Why would a poet ever plagiarize? You’re not going to get famous, and you’re really not going to get rich.” Where does inspiration end and plagiarism begin? This piece at Electric Literature examines what happens when a poet steals a line.
Idris Elba, Sean Penn and Javier Bardem have signed on to star in a film adaptation of Jean-Patrick Manchette’s novel, The Prone Gunman. According to Christian Blauvelt of Hollywood.com, “Elba will be playing a cloak-and-dagger agent named Dupont who tangles with Sean Penn, who also plays an agent for a clandestine operations outfit who is betrayed by his organization, forcing him on the run across Europe.”
New York Magazine has an excerpt up from Zora Neale Hurston‘s long-lost manuscript, Barracoon: The Story of the Last Black Cargo, the first-person account of Cudjo Lewis, the only living survivor of the final slave ship to land in America. Barracoon will finally, 87 years later, be published next week.
“Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world.” John Darnielle talks with Colin Winette about E.R. Eddison‘s The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
In 1962, Samuel Beckett wrote “Play.” Originally intended to be a stage production, the piece has now been adapted as a short film starring Alan Rickman, Kristin Scott-Thomas and Juliet Stepherson. Come for the Beckett writing (full text can be found here), but stay for the disembodied heads-in-urns.
Out this week: Lucky Boy by Shanthi Sekaran; A Mother’s Tale by Phillip Lopate; Huck Out West by Robert Coover; Fever Dream by Samanta Schweblin; The Midnight Cool by Lydia Peelle; The Antiques by Kris D’Agostino; Lotus by Lijia Zhang; and Collected Stories by E.L. Doctorow. For more on these and other new titles, go read our latest book preview.
Tim Parks investigates the idea of “writing to death” in the cases of Thomas Hardy, D.H. Lawrence, Anton Chekhov, Charles Dickens and William Faulkner. “So many of the writers I have looked at seem permanently torn between irreconcilable positions,” Parks writes. “Eventually, the dilemma driving the work either leads to death, or is neutralized in a way that prolongs life but dulls the writing” (Bonus: Our own Mark O’Connell just reviewed Parks’s latest book, Italian Ways.)