Irving Howe asks how Hemingway commanded the attention of a generation. Howe writes, “His great subject, I think, was panic.” Our own Michael Bourne recently answered this question, recognizing Hemingway as a middlebrow revolutionary.
It appears that our own Sonya Chung’s consideration of underappreciated Russian writer Sergei Dovlatov played a role in getting one of his stories published in a forthcoming issue of PEN America.
The best way to celebrate May Day? Read Tennyson‘s “The May Queen,” become “Romance Incarnate.”
The latest installment of #LitBeat involves musings on puritanical projection, the phrases “ass-banging” and “mucus flaps” and a least one instance of the word “boner.” Our correspondent was there for The New Inquiry read along of Millions contributor Mike Thomsen’s new book, Levitate the Primate: Handjobs, Internet Dating, and Other Issues for Men.
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“