Irving Howe asks how Hemingway commanded the attention of a generation. Howe writes, “His great subject, I think, was panic.” Our own Michael Bourne recently answered this question, recognizing Hemingway as a middlebrow revolutionary.
Azadeh Moaveni writes about what it was like to own her dog, named London, in Iran: "Most Turks, like most Iranians, recoiled from dogs as though they were grotesque vermin; only ‘guard’ dogs, charged with protecting humans and their goods, were deemed less offensive, though still repellent." To Moaveni, it was like cultural rebellion.
Out this week: Everything Love Is by Claire King; They Are Trying to Break Your Heart by David Savill; The Moravian Night by Peter Handke; All Joe Knight by Kevin Morris; Of All That Ends by Günter Grass; and A Woman Looking at Men Looking at Women by Siri Hustvedt. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Paris Review co-founder Peter Matthiessen will publish a new novel in the spring of next year. Matthiessen, who won the National Book Award in 2008 for his last novel, Shadow Country, said the new novel centers on “a weeklong meditation retreat at the site of a World War II concentration camp.”
There's just something about David Foster Wallace's writing that makes people want to adapt it. We've written about this phenomenon before - there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace's work doesn't seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I'll Never Do Again, which both Salon and Hyperallergic reviewed.