Year in Reading alumnus Jonathan Safran Foer and Oscar-winning actress Natalie Portman have been exchanging emails for over a decade. Over at The New York Times Magazine, they share their recent correspondence on how things have changed since the beginning of their friendship.
Friends Forever
Harry Styles: The Next Christian Grey?
What’s more staggering: the fact that After, a 25-year-old Texan’s “erotic One Direction fan fiction,” has been “read” online more than 800 million times, or the fact that Simon & Schuster has decided to pay “a six figure advance” for its publication rights? Oh, and there’s more. Billboard reports that United Talent Agency is “shopping the film rights as well.”
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A Brilliant Loner
“Neither for the first nor last time in his life, Orwell was the brilliant loner who saw what others around him failed to notice.” Adam Hochschild writes on Orwell’s Homage to Catalonia and his unique perspective on fighting in the Spanish Civil War. Vishwas Gaitonde takes us to Orwell’s first home in India.
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Poignant Sci-Fi Variety Hour
In the early ‘70s, Kurt Vonnegut helped produce a TV adaptation of his work, Between Time and Timbuktu, that aired on the public TV program NET Playhouse. The adaptation brought together elements from several of the author’s most famous works, including Sirens of Titan, Cat’s Cradle and “Harrison Bergeron.” At Black Balloon Publishing’s blog, you can find YouTube clips and links to the printed script. (Related: our own Lydia Kiesling read Vonnegut’s Letters.) (h/t The Rumpus)
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Bill Keller wants reporters to report and only report.
The New York Times‘ executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
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Bamboozled
Minstrelsy lives: At Reuters’ Oddly Enough, blackface in Belgium.
A Community of Writers
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Neil Gaiman Gives Advice
Recommended viewing: a mashup of Neil Gaiman‘s advice on writing and clips from movies about, what else?, writing. And for more about Gaiman and writing, be sure to check out our own review of his book, The Ocean at the End of the Lane.
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Raising L.A.’s Literary Profile
Wednesday night at the Hammer Museum, the editors of the new Los Angeles Review of Books explained how their new web-only book review will raise L.A.’s literary profile.
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Hilarious. Foer is arguably the worst writer of his generation, but he is unquestionably the most pretentious. Imagine a human being who would do this:
“For the last half a year, we have played a game at dinner called the Wonder Line. If one of the kids can tell me something that generates the experience of wonder — the cocked head, slight nod, raised eyebrow and muttered ‘hmmm …’ — we call it ‘clearing the Wonder Line.”
And then imagine a human being who would be so gol’ darn proud of doing this that he humble-brags about it in the New York Times.
“Imagine a human being who would do this…”
Yes but isn’t it heartwarming when fading propaganda assets come together to generate more… propaganda…? (and *when* is Woody going to put these two adorable kids in a movie…?)