“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
We’re welcoming another regular to The Millions. You’ll recognize Jacob Lambert from his ongoing series “The Road (A Comedic Translation),” and he’ll be doing more humor pieces for us as well as whatever else he comes up with. Jacob has written for MAD Magazine for several years. He also has a regular column in Philly Weekly and freelances for various other publications. Welcome Jacob!
The Columbia Spectator is about to embark on “a list of 50 books that we think capture the essence of each state.”Daniel Menaker, former head of Random House, is set to host a new internet literary talk show called “Titlepage.” It will be modeled after “‘Apostrophes,’ a popular French literary program; ‘The Charlie Rose Show’ on public television; and ‘Dinner for Five,’ in which a group of actors discussed their craft, on the Independent Film Channel.” Guests on the first show include Richard Price and literary it-boy Charles Bock.Quite a resource: The Stanford Encyclopedia of Philosophy. Among the many entries: Death, God and Other Necessary Beings, Nothingness.We Feel Fine: Art from the hive mind.Landscape Urbanism Bullshit GeneratorFree Rice: procrastination fun for those with big vocabularies.The Corporation of London Libraries and Guildhall Art Gallery image database – huge, searchable collection of historical images of London, from which one can order prints.The Port Huron Statement, a part of the UVA Sixties ProjectTen Recurring Economic Fallacies – Put to rest “The Broken Window,” “The Beneficence of War,” and more.
“Define your character’s obsession. Take that obsession and dig up all the language that surrounds it or alludes to it. Rewrite your story using as much of that language as possible.” Molly Prentiss for Amazon Author Insights on using personal preoccupations to bring your narratives to life.
“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.