Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
In memory of Peter Matthiessen, The Missouri Review has unlocked an interview with him from 1989. Matthiessen detailed the beginning of his writing career. “I started my first novel and sent off about four chapters and waited by the post office for praise to roll in, calls from Hollywood, everything. Finally my agent sent me a letter that said ‘Dear Peter, James Fenimore Cooper wrote this a hundred and fifty years ago, only he wrote it better. Yours, Bernice.’ I probably needed that; it was very healthy.” For more Matthiessen, you can read one of his best travel essays or his new novel, In Paradise.
Janet Reitman, a contributing editor to Rolling Stone, spent five years researching Inside Scientology, which is reviewed here by Brook Wilensky-Lanford for The San Francisco Chronicle. Earlier this year, ‘Million Dollar Baby‘-screenwriter Paul Haggis spoke with Lawrence Wright of The New Yorker about L. Ron Hubbard‘s religion.
The Naipaul Question, as Morgan Meis calls it, is simple: is V.S. Naipaul too offensive to be taken seriously? His recent biography includes scenes of abuse and moments of straightforward racism. But Meis thinks the issue is more complicated than whether Naipaul is a monster — the author is, in his phrasing, too “protean” to be pinned down.