Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
Flannery’s Home
Constance Garnett Gets Her Due
Sara Wheeler tells the story of Constance Garnett, an "indefatigable worker" who translated the works of Dostoevsky and Chekhov.
●
●
●
Matthiessen’s Beginnings
In memory of Peter Matthiessen, The Missouri Review has unlocked an interview with him from 1989. Matthiessen detailed the beginning of his writing career. “I started my first novel and sent off about four chapters and waited by the post office for praise to roll in, calls from Hollywood, everything. Finally my agent sent me a letter that said ‘Dear Peter, James Fenimore Cooper wrote this a hundred and fifty years ago, only he wrote it better. Yours, Bernice.’ I probably needed that; it was very healthy.” For more Matthiessen, you can read one of his best travel essays or his new novel, In Paradise.
●
●
Sonya Chung at McNally Jackson 3/10
Millions Contributor Sonya Chung will read from her just-released novel Long for This World at McNally Jackson Books, 52 Prince Street, NYC, on March 10 at 7pm.
●
●
Whiting Winners
Lots of excellence on the list of 2011 Whiting Award winners: Teddy Wayne, Daniel Orozco, Ryan Call, and more. If I were you, I’d celebrate the weekend by reading Orozco’s “Orientation.”
●
●
Scientology Revealed
Janet Reitman, a contributing editor to Rolling Stone, spent five years researching Inside Scientology, which is reviewed here by Brook Wilensky-Lanford for The San Francisco Chronicle. Earlier this year, ‘Million Dollar Baby‘-screenwriter Paul Haggis spoke with Lawrence Wright of The New Yorker about L. Ron Hubbard‘s religion.
●
●
Virginia in Vogue
Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
Hard to Categorize
The Naipaul Question, as Morgan Meis calls it, is simple: is V.S. Naipaul too offensive to be taken seriously? His recent biography includes scenes of abuse and moments of straightforward racism. But Meis thinks the issue is more complicated than whether Naipaul is a monster — the author is, in his phrasing, too “protean” to be pinned down.
●
●