Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
Flannery’s Home
Homecoming
Inaugural poet Richard Blanco talks to NPR about the experience.
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47 New Ways to Bid Arms Goodbye
Apparently Faulkner isn't the only modernist getting a little repackaging. A new edition of A Farewell to Arms that includes each of the 47 endings Hemingway wrote for the novel will be published later this week.
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On Remembering and Forgetting
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in 'clouds.' While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.
To Go Boldly? What?
There are times when it’s a bad idea to wantonly split an infinitive. But there are other times, grammar Nazis, when it’s really okay to chill out.
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Curiosities: The Governor and the Glove
Hitchens looks back at the Rushdie fatwa and its legacy of censorship.The Feltron 2008 Annual Report"The Governor and the Glove" - an encounter with BlagojovichJoseph O'Neill remembers Updike (via TEV)Ted Leo performs Bruce Springsteen's "Dancing in the Dark."The Paleolithic era of online news.TNR reviews Outliers: "It is an axiom of Malcolm Gladwell's method that a perfect anecdote proves a fatuous rule."
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