Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
Flannery’s Home
On the Most External of Hard Drives
Scared of relying on the cloud? Worried your book-in-progress might disappear into cyberspace? How would you feel if you could save your files on — wait for it — the Moon?
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More Like George POURwell, Am I Right?
I wonder if time George Orwell spent in India and Burma informed his opinions on “how to make the perfect cup of tea.”
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Great Moments in Travel Writing
The Telegraph publishes a piece by Paul Theroux in connection with his new book about travel lit, The Tao of Travel. In the piece, Theroux recounts some of the great feats of the genre.
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Mad Content
Is there a difference between journalism and advertising? Buzzfeed doesn’t seem to think so.
Australian Best
Lit-mag Meanjin Quarterly is taking a cue from The Millions and kicking off a new series, The Best Australian Fiction of the 21st Century (so far).
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Parks and Read
“The idea is to bring about a change in lifestyle of the young denizens of the city.” The Times of India reports that the Bhopal Runners Association is converting old parks around the city into green reading spaces with seating, wi-fi, and literary events. Less bookcentric but still a feat of public planning (and gentrification): New York City’s High Line, which our own Michael Borne wrote about when it first opened.
The Gray Salt Sea, The Wine-Dark Sea
Writing for Lapham’s Quarterly, Caroline Alexander takes a deep dive into Homer’s “wine-dark sea” to uncover the origins and meaning behind the poet’s “incomprehensible” phrase.
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