Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
Although we'll never get the chance to read Walter White's memoir, we'll get the next best thing. Bryan Cranston is writing a memoir due out next year. “With this book, I want to tell the stories of my life and reveal the secrets and lies that I lived with for six years shooting Breaking Bad," he said. While you wait, grab a book from our Breaking Bad reading list.
"Chekhov’s contemporaries wondered: What sort of Russian writer was he? He had no solution to the ultimate questions. With no 'general idea' to teach, wasn’t he more like a talented Frenchman or Englishman born in the wrong place?" (And our own Sonya Chung argues that personal character was in fact his "general idea.")
Millions readers in New York: Please join us tonight at McNally Jackson bookstore in Manhattan to celebrate the release of The Late American Novel: Writers on the Future of Books. I'll be joined by my co-editor Jeff Martin, as well as Reif Larsen and some of the book's other contributors, including Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. We're looking forward to seeing you there!
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. "Auggie Wren's Christmas Story" was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here's the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.
Downton Abbey, meet Arrested Development: Arrested Downton. Speaking of the stunningly popular Downton, The Missouri Review is having a "non-contest;" enter by channeling the voice of your favorite author to describe the world of the show. Our own Garth Risk Halberg might be able to help you out, with his essay on Downton's literary pedigree.