“New houses get built, and new songs are sung … and I am the same, in the same trembling state.” Things are not going very well at the newly built Federico García Lorca center in Granada, Spain. Patience is wearing thin as members of the García Lorca Foundation continue tangling with government officials over control of the center, which is intended to house nearly 20,000 items — manuscripts, drawings, musical compositions and artworks valued at more than 20 million euros.
When Five Years Pass
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The Myth of the “Knausgaard-free Day”
Did Karl Ove Knausgaard’s autobiography become so popular in Norway that the country had to institute “Knausfaard-free days?” Casey N. Cep investigates.
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Mangrove Opens Submissions Nationally
Are you an undergraduate who writes? Do you know one who does? This year, my alma mater’s literary magazine is accepting submissions from undergraduates even if they don’t attend the University of Miami. Check out its blog for details.
Wherefore art thou Luke Skywalker?
Good versus evil, a hero coming of age, wars, and sibling love — Star Wars is the play William Shakespeare never wrote. Fortunately, Ian Doescher rewrote the tale of the Jedi in iambic pentameter in William Shakespeare’s Star Wars. The best part is the book trailer, which features Shakespearean actors wielding lightsabers.
What Is an Emotion?
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.
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The Movie That Ate Itself
Have some free time today? Might I suggest reading Michael Idov‘s GQ article “The Movie That Ate Itself.” Not convinced? I’ll let the story’s description speak for itself: “Five years ago, a relatively unknown (and unhinged) director began one of the wildest experiments in film history. Armed with total creative control, he invaded a Ukrainian city, marshaled a cast of thousands and thousands, and constructed a totalitarian society in which the cameras are always rolling and the actors never go home.”
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