Recommended Reading: Nathaniel Rich discusses Stephen Wright’s Meditations in Green, which he says is remarkable because “it convinces you that the war never ended.” Indeed, Rich writes, the author’s debut novel “suggests that Vietnam at some point transcended the Indochina peninsula and became a mental condition, a state of being not unlike certain forms of insanity, that has become encrypted in our genetic code.”
Why do the British tell the best children’s stories? Perhaps because their culture has remained in touch with its pagan folklore, whereas in the United States, more pragmatic tales of morality, Christian obedience, and bootstrap-lifting rose to prominence. Also, picture books: general good thing for children or roadmap to total the moral collapse of society?
“Storytelling, she added, is a central part of Native American life, and, inevitably an obsessive part of hers. ‘It’s probably the most selfish thing I do,’ she said. ‘Truly. I don’t do it for anyone else. I do it because I have the addict’s need to get lost in the story.’” Louise Erdrich discusses her new novel LaRose.
Don’t Suck, Don’t Die: Giving Up Vic Chesnutt by Kristin Hersh is a downright mesmerizing elegy to the eclectic singer-songwriter. Part idiot-savant, part deliberate curmudgeon , Vic Chesnutt (who Rolling Stone has called one of the greatest songwriters of all time) was notoriously difficult to spend a lot of time around. Hersh stopped by Electric Literature for an interview about the book and about losing her dear friend Vic. Bonus: for anyone unfamiliar with Chesnutt’s work, this video will get you close.