“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”
io9 offers up “The Twenty Science Fiction Novels that Will Change Your Life,” from Frankenstein to Pattern Recognition. (via)Cathleen Schine on the charms of Peter CareyThe “Thomas Bernhard cult” claims a new initiate.F.O.T.M. (Friend of The Millions) Lydia Millet talks about “endangered species, the idea of motherhood, and her stint at Hustler.””Why do scribblers make drinking their second art? For one thing, it primes them for their task.” Writers and booze.Some American Studies undergrads at The University of Virginia have put together an online exhibit titled “The New Yorker Magazine in the 1930s.”NPR’s “In Character” segment considers Hawthorne’s Hester Prynne.
Fyodor Dostoevsky‘s Crime and Punishment is getting the musical treatment, and though “it does not seem the most likely candidate to provide musical fun for all the family” for a long list of reasons – “heavy drinking, prostitution, a double axe murder and hours of psychological torment” – we’re already planning our trips to Moscow for the premier. This is also a good opportunity to revisit the debate over who’s greater, Dostoevsky or Tolstoy?
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.