“In the morning, before we left, we presented my aunt with a gift from Indonesia, a package of luwak, one of four in Bon’s duffel. Civet coffee? she said, bemused. We were already savoring cups of coffee at her table, brewed in her coffee press from Arabica beans of her own supply.” An excerpt from Year in Reading alumnus Viet Thanh Nguyen’s forthcoming novel appears in the new issue of Ploughshares.
“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
Check out Maurice Sendak’s illustrations of The Brothers Grimm fairy tales posted on Brain Pickings this April. The illustrations were published with Lore Segal’s translation of the stories in The Juniper Tree: And Other Tales from Grimm. Our own Emily Colette Wilkinson revisits Sendak’s stories as an adult.
Don’t miss Jon Cotner‘s “Poem Forest” at the NY Botanical Gardens Nov 4-5 and Nov 11-12, 12-4:30. It’s a self-guided tour that promises “a new kind of poetry experience, as well as a new kind of walking experience. Poet-walker Jon Cotner has fused lines selected from 2500 years of nature poetry with Thain Forest’s autumnal landscape.” Details at the Poetry Society of America.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
Tonight at Columbia: A conversation with Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and most recently Super Sad True Love Story. Moderated by McKenzie Wark, professor of media and cultural studies at The New School and author of Gamer Theory. “Rewiring the Real” at 6:30 P.M.