In the Boston Review, Jess Row wades - slowly, interestingly, not always coherently - into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really "a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?" Probably not, even granting Row's exception. But possibly worth arguing about. If you like that sort of thing.
Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.