In conversation with New Yorker writer Jia Tolentino, Swing Time author Zadie Smith explained why she doesn’t engage in social media: “I want to have my feeling, even if it’s wrong, even if it’s inappropriate, express it to myself in the privacy of my heart and my mind. I don’t want to be bullied out of it,” according to the the Huffington Post. Read Sarah Labrie‘s essay on social media anxiety from our archives.
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Imagine that someone wrote fan fiction about you. Now imagine this fan fiction is not just about you, but inspired by selfies you posted on Tumblr. This is what happened to Arabelle Sicardi, who talks with Matthew J.X. Malady about the story she received, her fans and the weirdness of Internet fame.
We recently offered a look at the odd history of the book blurb here at The Millions. Now the New York Times is looking at this peculiar custom, inviting four contributors to discuss their merits and pitfalls. Among them is our own Bill Morris, who revisits his 2011 essay “To Blurb Or Not To Blurb” about the dilemma he faced when asked to blurb a friend’s book.