“Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you.” Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
Calvin!
“I’ve known you and known you and known you.”
Recommended Reading: Delaney Nolan’s recent piece in Guernica, “How I Gonna Bare My Neck Outside in the Sweat-Scared Morning.”
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Tuesday New Release Day: King, Eco, Schulze, Vonnegut, Catherine, Gallaway
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.
New Murakami Coming in August
Big news: It looks like Haruki Murakami’s much-anticipated new novel Colorless Tsukuru Tazaki and his Years of Pilgrimage finally has a U.S. publication date: August 12, 2014.
“Nature” Is What We See–
“[Emily] Dickinson is often portrayed as some white gossamer recluse, completely divorced from the world outside her bedroom—but that is not really true. The physical circumference of her adult life was small, but its psychological terrain was boundless.” This piece explores the ways in which Emily Dickinson’s work was shaped by her skills as a gardener and naturalist.
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Station Eleven Preview
A. A. Knopf posted the first chapter of our own Emily St. John Mandel’s new novel, Station Eleven, on Scribd for all to see and enjoy.
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