“How can a horrific event, so monstrous it seems incomprehensible, be told? How does one even find the words to write about it?” For The Paris Review, Matteo Pericoli takes a look at Slaughterhouse-Five and the bridge between fiction and architecture.
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
All week I’ve been enjoying posts by Jeremy Blachman at the Powell’s blog about life after the publication of his debut novel, Anonymous Lawyer. I particularly enjoyed hearing about his experience at BEA.In other blogging authors news. Critically acclaimed crime novelist George Pelecanos paid a vist to Confessions of a Dangerous Mind and left three posts. His new book is The Night Gardener.BarnesandNoble.com now accepts PayPal, so sell stuff on eBay and use the proceeds to buy books!Can’t remember if it’s forbidding, foreboding, or formidable? Check out Common Errors in English Usage, also available in book form.