Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
What if H.P. Lovecraft’s work were set in Hollywood instead of New England? At The Toast, Kevin Sharp writes Lovecraftian gossip columns. “Two very famous couples, both well known for their complicated personal lives and grand professional successes (less known, perhaps, for the horrid dark secrets that throb and scream in their antediluvian Hollywood mansions), met for a fateful dinner.”
“Courage is not a word I’d use to describe a lot of today’s fiction. Writing, M.F.A. students are often told, is a messy exploration of the self. The result can be a suffocating narcissism, a lack of interest in the kind of extrapolation and exploration that is necessary to both mathematics and literature.” At Page-Turner, Alexander Nazaryan urges young writers to learn math.
Haruki Murakami‘s Norwegian Wood has been dropped from one New Jersey school’s syllabus due to “some words and language that seemed to be inappropriate as far as the parents and some of the kids were concerned.” His publisher A. A. Knopf has issued a statement in response.
Cormac McCarthy’s written a spec script about “a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down.” I think we all know where that’s headed.