“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.
An Illusion To Think So
Replacement Burrito
Recommended Reading: This moving essay on secrecy, shame, and binging by Michael Sinert over at The Rumpus: “Our task is to de-son-of-a-bitch all this.”
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Done Deals
Longtime writers know how hard it can be to tell when a piece is finished. Tolstoy famously tried to revise War and Peace right up to the book’s publication. At the Ploughshares blog, Amy Jo Burns offers tips for evaluating a piece before deciding to give it to someone else.
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Borges, Writing and God
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
Gentlemen of Your Acquaintance
“A wealthy and influential harridan disapproves of you and makes sure everyone within earshot knows it. You don’t give a fig what she thinks. You flutter your fan defiantly.” How to tell if you’re in a regency romance novel.
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First Sentence
“I cannot help feeling, on being invited to contextualize my own fiction, that the least qualified person possible has been asked. It is more still: hesitance, dread, that as a blind man in a failing aircraft I have been offered the yoke. I imagine it is the same for other writers, for the very fact that you write a story, and not a critical essay, suggests that near everything you hope to say lies outside the bounds of explicit statement.” Despite all that, here’s an essay by Greg Jackson at Granta in which he attempts to contextualize his own fiction.
The Vaguest Designation
“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
An Amis For Us All
If this was the Summer of Martin Amis (which seems to have been the case), then prepare yourselves for the coming Fall of Kingsley Amis, courtesy of the folks at the New York Review of Books Classics and Vol. 1 Brooklyn.
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