Recommended Reading: This interview at The Paris Review with poet Morgan Parker: “I think personal narrative is really important for the individual and for a collective and for a people. I think it’s important to have agency in that narrative. There’s so much about contemporary life where one story is written upon the person by the outside world, by circumstance.”
“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
If you’re like this writer, you’ve read enough by now about the scourge of writer’s block. The literature on authors having trouble producing literature is enough to sustain a whole genre by itself. Which is why it’s refreshing to read this article, which tackles another problem: the vexing, peculiar strain of overload known as reader’s block.
Fanny Trollope, Anthony’s mother, taught America a thing or two about decency and feminism: her scathing pen wrote books about the excesses of American society and its alienation of women. Over at Bloom, Cynthia Miller Coffel writes about this trailblazing woman who should be considered “the patron saint of middle aged women writers.”
Amazon has partnered with the Wylie Agency to acquire exclusive ebook rights to 20th century classics by the likes of Philip Roth, Salman Rushdie, Saul Bellow, Norman Mailer, Louise Erdrich, John Cheever, Hunter S. Thompson, William S. Burroughs, Orhan Pamuk, V.S. Naipaul, Martin Amis, and Jorge Luis Borges. The venture is called Odyssey Editions. These books will be available in ebook form exclusively on the Kindle for the next two years.