“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.
“Since I often biked to my therapist’s, he took note of my helmet and asked how my new exercise regimen was going. It’s going great! I said. I love it! I wish I’d known earlier that I ought to bike. Now I hated going underground. It was like the death instinct to go underground, into the subway. I never realized I hated it so utterly until I didn’t have to do it anymore.” On riding a bike in New York.
Eleanor Catton has been getting a lot of press for being the youngest author ever to win the Man Booker prize, but she claims that the new fame is a mixed blessing that often brings up sexism. “In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them,” she told The Guardian.
“A month ago, I touched a lock of Sylvia Plath’s hair.” At Tin House, Emma Komlos-Hrobsky examines the relationship between the late poet and her fans.
New this week: A Cure for Suicide by Jesse Ball; Lovers on All Saints’ Day by Juan Gabriel Vásquez; The Kindness by Polly Samson; a new book of correspondence between Allen Ginsberg and Lawrence Ferlinghetti; and Apollo in the Grass by the Russian poet Aleksandr Kushner. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.