“Kill ‘Em and Leave is [James] McBride’s own testament to [James] Brown’s philosophy. It’s a stunningly unorthodox book, indifferent to the conventions of biographical nonfiction … The book is a hybrid of forms, largely a telling of Brown’s life story and partly a telling of McBride’s search for that story, with digressions about the author’s own life, essayistic ruminations on Brown and his music, and free, looping riffs that have the energy of improvisation.” On James McBride’s unusual, unorthodox biography of the unusual, unorthodox James Brown.
"Tarzan know, Tarzan know: 'Mood? Me want to write like Warren Buffett. Mood — that for house DJ or Al Green.'" Here is Tarzan's Guide to Elliptical Style For Effective Business Writing from the good people over at McSweeney's.
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. "In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase," Jordan Larson argues for The Atlantic.
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it's worth revisiting Paul Morton's interview with Krasznahorkai and Adam Z. Levy's review of his latest novel, Sátántangó.
I've been meaning to link to Ed's review of Stephen King's Lisey's Story in the Philly Inquirer. Jenny finds that not everyone agrees with Ed. Previously: King tells the Paris Review the he sees Lisey's Story as a "special book."Why Levi won't be reading Thomas Pynchon's new book Against the Day. Michael, meanwhile, already has his copy.Former book columnist at the Dallas Morning News Jerome Weeks has started a blog, book/daddy. Weeks took a buyout from his paper and has been vocal about the downsizing of cultural coverage in newspapers. See Weeks' comment on a recent post on this topic.Assigned reading too hard for schoolkids say experts.Google recently subpoenaed a number of companies - Microsoft, Amazon, Yahoo and publishers Random House, Holtzbrinck, and HarperCollins - to collect evidence that will back its side in the copyright case against Google Books being brought by authors and publishers. Now, Amazon has rejected Google's request, and the other companies are expected to follow suit.