“Kill ‘Em and Leave is [James] McBride’s own testament to [James] Brown’s philosophy. It’s a stunningly unorthodox book, indifferent to the conventions of biographical nonfiction … The book is a hybrid of forms, largely a telling of Brown’s life story and partly a telling of McBride’s search for that story, with digressions about the author’s own life, essayistic ruminations on Brown and his music, and free, looping riffs that have the energy of improvisation.” On James McBride’s unusual, unorthodox biography of the unusual, unorthodox James Brown.
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
“denial. A defense mechanism predicated on your inability to accept the painful reality that you are supposed to be reading the selected novel that you literally tried to bury.” At The Toast, Zane Shetler writes a glossary of book club defense mechanisms. Pair with: Our essay on spying on your book club friends.
There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. “Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
“Like all great literature, [David Foster Wallace’s] books do many things at once. Litchat, however, is singleminded.” Laura Miller discusses “the perils of litchat” at The New Yorker and how it has affected the legacy of David Foster Wallace. For less litchat, read our review of The David Foster Wallace Reader.