“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
Waiting for Lunch Break
War Stories
Over at The Rumpus, Caleb Cage interviewed Year in Reading alumnus Phil Klay about wars and human nature.
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Stalk Famous New York Readers
Have some fun with this New York specific feature highlighted by Atlas Obscura. The New York Society Library is private member-based library and it has some pretty famous members, going all the way back to Aaron Burr and Alexander Hamilton. Due to the library’s excellent record keeping you can trace these famous members reading histories. “In the early 20th century, Library staff switched from big, blank ledger books to index cards for record keeping. Henceforth they archived cards only for “prominent” members, discarding the rest. The gap is major, but the surviving cards offer a lifetime of book recommendations.”
Epistolary Criticism
Full Stop’s book club is discussing the stories of Clarice Lispector throughout this week in an in-depth email exchange conducted by contributors Becca Rothfeld and Nathan Goldman. Pair with Magdalena Edwards‘s Millions review of the collection.
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Project Yosemite
Sheldon Neill and Colin Delehanty’s Project Yosemite is “an ongoing adventure to timelapse Yosemite in a extreme way.” Their first video is (ahem) extremely beautiful.
On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
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Can’t Stop Won’t Stop
“I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages.” Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
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