“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
Waiting for Lunch Break
Poetry of Surveillence
“Nuclear Chelsea Air Marshal infrastructure Ionosphere Burst.” You can thank the NSA for this haiku. The NSA Haiku Generator is a website that takes commonly flagged terms and turns them into poetry. Have fun messing up the NSA’s algorithms for a day.
There’s Treasure Everywhere
In the mind of the ethical parent, one question overshadows all others: what’s the best way to get your kid to read Calvin and Hobbes? Unfortunately, there are no simple answers, only theories. (ICYMI: here’s a tribute to Calvin’s snow sculptures.)
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Sylvester Stallone, 35 Years of Paintings
“The State Russian Art Museum in St. Petersburg is hosting an exhibition of paintings by Hollywood icon Sylvester Stallone.”
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Slightly Off
Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his “English reality” has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
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Brexit Blues
Recommended Reading: Jen Calleja offers a reading list to soothe your Brexit blues at The Quietus. “Like many people, I went through the five stages of Brexit – ‘oh well’, manic laughter, crying, rage, existential despair – in one day, and in the days that followed felt numb, nauseous, in doubt. But now it’s time to climb out of the mourning pit and work even harder than before at holding on to a European identity and keeping channels open to personal and literary dialogues with our European neighbours.”
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