“I Have Inherited The Ancestral Home, But It Is Now A Burden Rather Than A Gift, Which Reminds Me Of Another Burden…The Institution Of Marriage” and every other Modernist novel ever written, via Mallory Ortberg of The Toast.
Books by Friends, a semi-regular feature at The Atlantic, sees writer James Fallows recommend the works of authors he knows. This week, he praises a book on the history of flight, a prediction for the economy and a jeremiad on American politics by Gary Hart. You could also read our own Kevin Hartnett on Fallows and American decline.
To the debate over whether or not male writers have trouble creating realistic female characters, we can add the opinion of Ester Bloom, who argues at The Hairpin that most male writers mold their female characters according to four archetypes: the virgin, the whore, the mother and the bitch.
An English student at the University of Texas has unearthed previously unpublished writing from Jupiter Hammon, the first published African-American poet. Some of Hammon’s work – which dates back to 1760 – can be found online courtesy of The Poetry Foundation: “A Poem for Children with Thoughts on Death” and “An Address to Miss Phillis Wheatley.”
I spent last weekend as a correspondent for the PEN World Voices Festival of International Literature. As such, I covered two events for the organization: Friday night’s ninth annual Translation Slam and Sunday afternoon’s Arthur Miller Freedom to Write Lecture featuring Sonia Sotomayor. (I also submitted a pretty sweet author photograph, if I do say so myself.) For full multimedia coverage of the entire festival, check out the PEN Live Tumblr.
New Yorkers! Come out tonight and celebrate Kingsley Amis alongside the Volume 1 Brooklyn crew, the New York Review of Books Classics publishers, and also such guests as Parul Sehgal, Rosie Schaap, and Maud Newton. There will be free gin! However if you can’t make it, you can treat yourself to the Kingsley Amis Desert Island Discs from the comfort of your own home. The discs, recorded around the time The Old Devils was published, reveal the author’s views on “novel mechanics,” the “Welsh temperament,” and his affinity for jazz.