Does modern China need its own literary sub-genre? On trying to understand China’s “ultra-unreal” reality: “If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word ‘chaohuan’ (ultra-unreal) is something of a play on the word ‘mohuan’ (magic), as in ‘mohuan xianshizhuyi’ (magic realism)— ‘mohuan’ is ‘magical unreal,’ and ‘chaohuan’ is ‘surpassing the unreal.’”
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard's contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.