What writers are actually earning money? Over at Electric Literature, Lincoln Michel takes a look at the new Author Earnings report, which scours Amazon bestseller lists and extrapolates the data to make claims about the state of publishing and self-publishing. Here’s an older Millions piece by Edan Lepucki on self-publishing as supplemental and influential to the traditional route.
Brett Ortler, a blogger at Bark, chronicles his effort to figure out why indie publisher, BlazeVOX, wants to charge him $250 to publish his book of poems. Follow-up posts reveal, first, that BlazeVOX has rescinded the pay-to-play scheme, and, second, that it now plans to go out of business by the end of the year.
Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
"If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead." Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.
Last year, Laura van den Berg came out with a new book, The Isle of Youth, which Nathan Huffstutter reviewed for The Millions. On the Guernica blog, Dwyer Murphy interviews van den Berg, who talks about jacket photos, her first collection and whether a writer from Florida is part of the Southern tradition. (You could also read van den Berg’s Year in Reading entry.)