Over at Words Without Borders, Marguerite Feitlowitz writes on teaching the art of literary translation. As she puts it, “Bringing texts from one place to another, from one tongue, context, history, and human body to another, is itself a political act. We can tell the history of the world through the history of when major texts have been translated—and where, why, and by whom.” Pair with this Millions piece on literary translators at work.
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.
Sam Jordison asks us how Heller’s Catch-22 became a bestseller. “Yossarian’s kept a lasting grip on our collective psyche; he’s the ultimate moral rebel. To object to him would be to put yourself on the side of stuffed shirts, those who kill for profit and in the name of absurd patriotism.”
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily’s correspondent, had this to say: “It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive.”
Good news for all the Neil Gaiman fans out there–a new, four-part television series called Neil Gaiman’s Likely Stories is set to begin filming in November. The series will focus on a selection of Gaiman’s short stories and feature a singular ensemble cast throughout. This should whet everyone’s appetite for the long-awaited television adaptation of American Gods, which is set to begin production sometime in 2016.
If you’ve been on the Internet at any point in the last few weeks, you’re probably aware that Twin Peaks is coming back. The seminal (and seminally weird) show by David Lynch will return for nine episodes in 2016. At The Nervous Breakdown, Joshua Lyons explains what the show meant to him, with the help of visual proof that he copied Bobby Briggs’s hair.