What is the greatest crime in literary history? Depending on who you ask, it was probably the burning of Byron’s memoirs. Shortly after his death, three of Byron’s closest friends, along with a few attorneys representing family interests, decided that the memoirs were too scandalous to publish and thus tossed them bit by bit into a fireplace. They claim to have been acting in his best interest, and, as Byron himself said, “There is no instinct like that of the heart.”
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
At the Morgan Library in NYC: “A Woman’s Wit: Jane Austen‘s Life and Legacy.” Read the NY Times review of the show here. And, if your hankering for eighteenth and early nineteenth century English art isn’t sated by the Austen, the Morgan is also offering “William Blake‘s World: ‘A New Heaven Is Begun'”.