“It reminded me once again that we desperately lack a full-throated defense of this runt of the grammatical litter. We need an outright celebration of adverbs, and it is that celebration that I offer—stridently, boisterously, unapologetically.” Colin Dickey at Slate passionately, unabashedly defends the adverb.
“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
Poetry readership among U.S. adults is the highest it’s been in 15 years—with young adult readership (among 18-24 year olds) nearly doubling—according to the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). (For what it’s worth: The Millions has always loved poetry).
“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.
According to Steve Denning at Forbes, “the U.S. has lost or is on the verge of losing its ability to develop and manufacture a slew of high-tech products.” He says the U.S. will never be able to manufacture a Kindle on its own soil. But if the environmental cost of producing just one e-reader, as VQR‘s Ted Genoways says, is “roughly the same as fifty books,” why would anyone want to?