Riverhead Books makes an amusing pun in a new fundraiser in which individuals can purchase 3D heads of Riverhead authors — Marlon James, Khaled Hosseini, Elizabeth Gilbert, Lauren Groff, Nick Hornby and more. Proceeds will go to the nonprofit Libraries Without Borders, which supports migrant and refugee populations in Europe by making books and learning materials accessible in multiple languages.
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer’s work.
Stony Road Press has teamed up with the James Joyce Centre to release a limited edition handmade book, “reproducing the original 1914 text” of “The Dead,” and featuring really interesting hand printed illustrations by Robert Berry. Check out some examples here, here, and here.
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
Fifty years after T.S. Eliot’s death, the poet’s estate has finally agreed to authorize a biography, which explains the publication of Young Eliot, a new book on his early years. Among other things, the book reveals details about Eliot’s first marriage, in which his wife Vivienne Haigh-Wood gave him the nickname “dearest Wonkypenky.”
Recommended Reading/Listening: Maia Evrona’s translation and recitation of a poem by Abraham Sutzkever, who has been called one of the primary poets of the Holocaust. Gabriel Brownstein’s essay for The Millions on what it means to be a “Jewish writer” is a good complementary piece.
Recommended Reading: A piece of new fiction by Joanthan Safran Foer! Go check out “Maybe It Was the Distance” over at The New Yorker. Here’s a review of Foer’s Tree of Codes by Kevin Nguyen for The Millions which calls the format of the book, “a wonderful experiment in what a book can be, and also home to a mediocre novel.”